Exhibitions

ART CARES 2021

ART CARES 2021 
3045 Granville Street, Vancouver
June 22 - July 2, 2021

Art Cares was founded in May 2020 by Bau-Xi Gallery in an effort to give back and support the cities that we have called home for over 50 years. The digital charitable exhibition's first edition featured works from over 40 gallery represented artists, with over $57,000 CAD raised at the close of the inaugural programme.

Art Cares donates 100% of the listed artwork value from each piece sold, in support of Food Banks Canada. All marketing, advertising and transactional fees are covered independently by Art Cares. Art Cares 2021 closes on July 2 at 11:59 PM PST.

As essential organizations, food banks continue to support food insecure Canadians. In light of the COVID-19 pandemic, they have been met with uncertainty, seeing a loss in financial support and support staff, and an increase in demand. Food Banks Canada has been supporting provincial food bank networks through their coronavirus response efforts, securing food, finances, and volunteers.

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Vicki Smith | You Are The Sky. Everything Else Is Just The Weather.

Vicki Smith | You Are The Sky. Everything Else Is Just Weather.
3045 Granville Street, Vancouver
June 5-19, 2021

The motivation and title for the artist's new collection of paintings was inspired by Pema Chodron, a Buddhist nun and principal teacher at Gampo Abbey in Nova Scotia, who wisely stated, 'You are the Sky. Everything Else is Just the Weather.'

The artist states:

This quote helps to remind us that we all have a cloudless and clear sky within us. The daily fluctuations of thoughts, emotions and worries create the weather that can cloud our sky. Engaging with art mindfully is a practice that clears thoughts and brings us back to our cloudless sky with a sustained sense of wellbeing. The more mindful we are the more we realize that the weather is just passing by. The clouds may come and go, but the sky is constant, ‘You are the sky’.

Rendered in finely textured impasto, luminous, jewel-toned palettes, and layers of expressive brushwork, Smith's bathers, afloat in changeable waters, speak to a distinct sense of interiority. Transposed onto her canvases, the sunlit ripples and shaded caustics of Smith's source imagery become the medium through which the artist explores the great heights and depths of feeling. 

Vicki Smith's paintings articulate this elemental movement to reveal an underlying quality of stillness fundamental to the artist's practice. With trademark warmth and insight, Smith invites the audience to immerse themselves in the act of viewing and into a state of grace.


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Eric Louie | Second Nature

Eric Louie | Second Nature
June 5-19, 2021
340 Dundas Street West, Toronto

Informed by a distinct future-forward aesthetic and formalist sensibilities, Second Nature, a solo exhibition by Eric Louie, explores the interplay between organic environments and digitally composed realities. More so, Louie examines the human response to these crossovers and disparate ways of seeing. The artist’s process of digital drawing and transcribing with oil paint on canvas, delights the viewer with richly layered virtual worlds—rife with colourful shapes, shaded with brightly-hued gradients and accented with chrome-like effects to reinforce a palpable materiality.

Louie holds a B.F.A from the Alberta College of Art and Design, where he was awarded the prestigious Jason Lang Scholarship. His work is included in numerous private and public collections including CIBC, Encana Energy, NBC Studios, Paramount and MGM Pictures, as well as the City of Calgary.

Louie has shown his work nationally over the past decade in more than 25 exhibitions.

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Adrienne Dagg | Nesting Grounds

Adrienne Dagg at Bau-Xi Gallery

Adrienne Dagg | Nesting Grounds 
June 5-19, 2021
340 Dundas Street, Toronto

We are thrilled to present Nesting Grounds by Adrienne Dagg, a dynamic new body of work marking the artist’s inaugural solo exhibition at Bau-Xi Gallery. Through surrealist sensibilities, Dagg creates other-worldly narratives through the dissection, deconstruction, and reconfiguration of antiquated ideologies still prevalent in contemporary society, which affect the physical and mental spaces of women today. The result is a form of collage, utilising differing painting techniques to alter visual symbols, textures, and spaces, whilst depicting scenes that are simultaneously both familiar and alien.

Domestic interiors are featured heavily as backdrops in Dagg’s painted scenes, and figures are modeled in unconventional positions, juxtaposed against outdated furniture and relics. Each narrative is constructed by incorporating real and invented scenarios, positioning the figure within a space that is both unnerving and stoic. Dagg’s female protagonists are often characterised in a way that suggest the removal or untethering of something that had once provided guidance and order.  

Born in Toronto, ON Canada, Adrienne Dagg is our newest addition to the Bau-Xi Gallery roster. A recipient of the prestigious Elizabeth Greenshields Award for figurative art, she graduated with a BFA from Concordia University in Montreal in 2011 and received her MFA from the University of Alberta in Edmonton in 2020. Her work has been exhibited in Canada and the United States and is held in many private collections. Adrienne Dagg currently lives and works from her studio in Edmonton, Alberta.

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George Byrne | Post Truth

George Byrne photograph of Los Angeles available through Bau-Xi Gallery | Art Gallery in Toronto and Vancouver

Image: George Byrne, "Ling's #2," Archival Pigment Print Mounted to Archival Substrate, Framed in White with Plexiglass, 33.75 x 41.75 inches. Edition of 5.

June 5 - 10, 2021

Bau-Xi Photo is excited to present an exhibition of works by Los Angeles-based Australian photographer George Byrne. This body of work has never been exhibited in Toronto. 

Known for his brightly coloured large-scale photographs of Los Angeles and Miami architecture, Byrne centres his practice around the documentation of the urban everyday. From parking lots to gas stations, billboards and graphic façades, Byrne meticulously frame’s his subject, almost distilling it down to a series of interlocking shapes. 

Byrne borrows from, and references, the Modernist and New topographics movements. While operating in different periods, Byrne seamlessly incorporates the banal, man-made, subject matter of the New topographics with the graphic simplicity the Modernists employed in their works.

The artist began photographing Los Angeles with a medium format camera in 2010. Byrne’s close-crop photos, often taken from the middle of the street, show careful attention to the geometric fragments of his urban surroundings revealed in the subtle line and unexpected shadow which cut across pastel walled surfaces, and divide soft sky from gritty stucco, plastic and concrete. Byrne’s work encapsulates not only the spirit of his adopted city’s unique and diverse cityscape, but an aesthetic sensibility that has come to be ubiquitous with our globalized visual culture influenced by equal parts art history and Instagram.

 


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Janna Watson

Janna Watson at Bau-Xi Gallery


Janna Watson

May 15-29, 2021
340 Dundas Street, Toronto

Bau-Xi Gallery is pleased to present a highly anticipated exhibition by contemporary abstract painter, Janna Watson. Best known for her contemporary interpretation and approach to automatic painting, this new body of work combines Watson’s previously separate painting and rug practices, exploring the interactions of art and design through the artist’s feminist and Neo-Bauhaus point of view.

Taught at a young age by her late grandfather, Watson’s dynamic compositions are manifestations of emotion and energy as described through the artist’s distinctive treatment of colour, line and mass.

Inspired by her grandfather, who never found a market in rug making but exposed his granddaughter to the effort, artistry and time behind the scenes that goes into creating a rug, her work aims to challenge the value of both craft and high-art.

In this exhibitionWatson brings both of her practices together, questioning the attitudes associated with ‘craft’ — an art form that has been devalued by its domestic associations.

With a nod to the Bauhaus movement — a radical utopian art school that pushed for the unification of art and design in the material world and was the only place that openly accepted women into its program — Watson’s choice of medium consciously aligns with the crafts of textiles and ceramics that were allowed to be practiced by women at the time.

The artist's contemporary Neo-Bauhaus approach is inspired by and honours artists such as Anni Albers, Marianne Brandt and Gertrud Arndt, who challenged the notion of domesticity.

Janna Watson at Bau-Xi Gallery

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CORI CREED | ENVISION

Cori Creed | Envision
3045 Granville Street, Vancouver
May 8-22, 2021

In Envision, celebrated painter Cori Creed continues her years-long exploration of the nature of visual storytelling.
 
Informed by her personal history and lived experience with the West Coast landscape, Creed crafts illusory depth within her canvases then layers richly textured brushstrokes and abstract mark-making to render dynamic surfaces that both recede into the distance and approach to meet the eye.
 
Part unconscious experimentation and part deliberate gesture, Creed’s application of medium, which incorporates spray, staining, and washing techniques, serves to enrich the painted “text” and break the fourth wall, disrupting the three-dimensional picture space of Creed’s compositions.
 
With a self-reflexive consideration of her own practice and a keen awareness of the viewer and their unique ways of seeing, Creed questions the assumption of that which is “plainly there in front of us”, rendering these boundaries between the objective and subjective truths indistinct.

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Michael Wolf | Street View | CONTACT Feature Exhibition

Michael Wolf Street View on view at Bau-Xi Gallery | Art Gallery in Toronto and Vancouver

 

Michael Wolf | Street View*
350 Dundas Street West, Toronto
May 1-31, 2021
*Presented as a Scotiabank CONTACT Photography Festival Feature Exhibition

 

Bau-Xi Photo is pleased to present Street View, an exhibition of works from Michael Wolf’s Street View series, including Paris Street View, Manhattan Street View, Street View Portraits, and A Series of Unfortunate Events. Through these bodies of work, Michael Wolf redefined street photography.

Architecturally, Paris exists in a vacuum. The city’s historic core sits relatively unchanged since Haussmannization, and as a result, leaves little room for contemporary photographic reinterpretation. Moreover, photographers such as Atget, Cartier-Bresson, Doisneau and Ronis have left little space for further exploration. 

In the mid to late 2000s, Michael Wolf and his wife relocated to Paris from Hong Kong. This move signalled a massive shift in Wolf’s work as it was not only his home for over a decade, but the site to some of his most prolific series.

Upon their relocation, Wolf used Google Street View to navigate his new home. At the time, Google Street View was infantile—launched in 2007—and had introduced its organic navigation and full screen capabilities in 2009. Wolf recognized this new technology as a new digital medium.

Mounting his camera on a tripod positioned directly in front of his LCD screen, Wolf rephotographed Google’s readymade. Rephotography is not a new concept. Wolf’s Street View series most notably follows Sherrie Levine’s, After Walker Evans. Both Levine and Wolf photograph their readymades, place them in a new context, and present them in a different form. 

Wolf’s body of work also discusses surveillance and a person’s right to privacy. Paris Street View was created during the French government’s attempt to regulate street photography. This contrasts with France's 2007 decision to triple the number of video surveillance cameras by 2009, and Google’s unauthorized photographic mapping system.

After Paris Street View, Wolf revisited this concept several times, producing A Series of Unfortunate Events, Street View Interface, Manhattan Street View, Fuck You, and Street View Portraits. In 2011, A Series of Unfortunate Events was awarded Honourable Mention at the World Press Photo for Contemporary Issues—a controversial decision that re-defined photojournalism. 

Bau-Xi Photo’s exhibition Street View is a culmination of works from Paris Street View, Manhattan Street View, Street View Portraits, and A Series of Unfortunate Events. This curated selection of photographs includes works that are both self referential—recalling tropes from Wolf’s Architecture of Density, Transparent City, and Tokyo Compression—and externally referential, referencing photographs by Robert Frank and Henri Cartier-Bresson.

Michael Wolf’s Street View series have most notably been exhibited in Paris, Hong Kong, and Amsterdam. Paris Street View, Manhattan Street View, and A Series of Unfortunate Events have not been exhibited in Canada.

 

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Mel Gausden | Campfire Stories

Mel Gausdent at Bau-Xi Gallery


Mel Gausden | Campfire Stories
May 15-29, 2021
340 Dundas Street, Toronto

We are thrilled to present Campfire Stories, an emotive new body of work by emerging artist, Mel Gausden. This new series, comprised of oil paintings and works on paper, is a compilation of memories, moments and short stories characterized by the artists unique approach to Canadian landscape through the use of bold mark-making and brightly hued accents. Inviting, lush, and often unsettling, Gausden contemplates the extended isolation and discomfort of the past year and offers a hopeful reverence on past and future relationships.

Gausden’s process is significantly determined by the length of time in which her source material is transformed by time into nostalgic images; a process that can take years. Once memories are bound to her images, the narrative emerges and is rendered in paint.

Mel Gausden earned her Bachelor of Arts at the Ontario College of Art and Design in 2009. She lives and works in Toronto.

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Mel Gausden at Bau-Xi Gallery

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Isabelle Menin | Sublime Nature

Isabelle Menin | Sublime Nature
April 24 – May 5, 2021
3045 Granville Street, Vancouver

Sublime Nature presents a curated survey of photographs by acclaimed Belgian artist Isabelle Menin, featuring select works drawn from series' produced over the last 5 years.

A maestra working with a painter's eye towards digital manipulation, Menin's highly-composed images masterfully layer fragments of exuberant colour, suggestions of forms and distorted, weeping blooms.

The flora and landforms of these imagined worlds, which Menin describes as "disordered landscapes", are individually documented, each flower skillfully lit, painstakingly captured and catalogued as part of the artist's expansive palette. These potent visual symbols act as the mode for Menin's mark-making  abstracted and reoriented, their petals and stems become a means to enact the artist's disembodied gestures.

Drawing parallels between "nature's strange complexity" and that of human nature, Menin's imagery is at once uncanny and beguiling, caught in a state of perpetual transformation. Transcribed with playful artifice and hybridized through her distinct aesthetic "hand", Menin subverts our understanding of her subject matter, unraveling their contextual meaning to render them anew.

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Ted Fullerton | Re-Imaging: The Four Seasons

Ted Fullerton at Bau-Xi Gallery

 

Ted Fullerton | Re-Imaging: The Four Seasons
April 10-24, 2021
340 Dundas Street, Toronto

This Spring, Ted Fullerton presents an exhibition of oil paintings, mixed-media drawings, and sculpture in Re-Imaging: The Four Seasons.

Borrowing its name from the eponymous violin concerti by Antonio Vivaldi, Fullerton’s painted series is deeply motivated by Max Richter’s bold re-composition and reinterpretation of this familiar score. Working from his studio in the forests of central Ontario, the artist’s visual language engages with this music, exploring the intersection of music with nature, which materializes in a discerning and optimistic portrayal of Vivaldi’s four characters: Summer, Autumn, Winter and Spring.

As an audience, we experience Ted Fullerton’s immersive exhibition as a combination of narrative and reinterpretation. Alongside Fullerton’s painted works that were five years in the making, is a new series of mixed-media collage and drawings based on the notion of the Dithyramb, an ancient Greek hymn sung in dedication to the god of wine and fertility, Dionysus. Steeped in rich symbolism and mythology, the viewer absorbs the drama beautifully expressed as a culmination of Fullerton’s fascination with the intrinsic link between music and nature.

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Ted Fullerton at Bau-Xi Gallery

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Tom Burrows | Curve of Time II


Tom Burrows | The Curve of Time II
April 8 – 22, 2021
3045 Granville Street, Vancouver

Bau-Xi Vancouver is pleased to present a continuation of acclaimed West Coast artist Tom Burrows' The Curve of Time series.

Taking form over the last year of isolation, this exhibition reflects the landscape surrounding his Hornby Island studio. Through an invigorating winter season spent scrounging for firewood and patching leaks, the ever-changing light of the sea, high Southeast prevailing winds and inclement weather are chronicled through Burrows' sculptural panels.

The journey across this frontier is imagined through the resin medium to play out across the artworks' surfaces, subtly patterned after tidemarks and waves, with shifting depths and varying densities of colour. Drawing titles from familiar moorings and neighboring shores, this body of work traces a path through these opens waters to evoke the movement of currents and rippling caustics, their silvery casts reminiscent of overcast skies backlit by the sun.

In The Curve of Time II spring has arrived, the sea turns chartreuse with herring spawn as Burrows charts a new course and prepares his vessel to launch.

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