Sheri Bakes | Aurora

Sheri Bakes | Aurora
October 5 - 17, 2024
3045 Granville Street, Vancouver
Opening Reception: Saturday October 5, 2-4pm | Artist in Attendance

Reflecting Bakes' recent viewing of the Northern Lights from her Vancouver Island home, these atmospheric paintings were inspired in part by elements of the science behind the auroras; from there, Bakes aimed to reach beyond the technical rendering of this natural phenomenon to focus on the feeling and emotion that the Lights convey. Bakes’ signature evocation of movement, energy and life-force connects all her paintings.


Artist Statement:

This new body of work explores the Northern Lights from a large Vancouver Island farm. There are a couple of cougar dens in the area where I live so I tend to avoid walking outside at night and in the early morning, but I wanted to see the auroras. 

To see the Northern Lights on the farm means walking through a forested area down a long gravel driveway in complete darkness to a clearing which offers an opening to the night sky. I missed the first night of lights because I was too afraid to take the long dark walk to the clearing. The following nights I mustered the courage and carried a portable high powered industrial light and made it out to the clearing to see the incredibly vibrant colours and dynamic movement of the Northern Lights over the farm. 

Back in the studio, I wondered how I could paint the Northern Lights from the internal feeling of having seen them. In reading about how the lights are created (the sun ejecting charged particles from its upper atmosphere creating the solar wind, and then that wind slamming into the earth’s upper atmosphere), I wanted to explore the colourful movement of charged particles, solar wind and atmosphere in motion.

-Sheri Bakes, 2024

VIEW THE FULL COLLECTION

Read more

Jamie Evrard | Time's Garden


Jamie Evrard | Time's Garden
September 14-28, 2024
Main Level | 3045 Granville Street, Vancouver
Opening Reception: Saturday September 14, 2-4pm
Artist in Attendance
Artist Talk & Tour Saturday September 14, 2:15 - 2:30pm



Bau-Xi Gallery is proud to present atmospheric and immersive new paintings on both canvas and paper by established Vancouver-based artist Jamie Evrard. In addition to Evrard's signature floral imagery, her exhibition also features five paintings of the enigmatic dresses from the garden art installation “Four Seasons” by BC based textile artist Deirdre Phillips.

 
Evrard’s floral fascination has spanned virtually her entire career, continually driven by flowers’ contrasting qualities of unapologetic boldness, fragility and ephemerality. Whether focusing on a single blossom or celebrating a chaotic profusion of garden blooms, Evrard adeptly captures their shapes, lines and personalities with light and soft yet decisive strokes. Embracing a slightly deeper and richer palette for her sensitive observances of Vancouver's gardens and ponds and the quiet curiosities they harbour, the artist imbues her lush subjects with an air of late summer – still in full and glorious bloom, with a hint of the autumnal change to come.

Jamie Evrard has had over 75 solo exhibitions across the US and Canada and has been featured in over 65 group exhibitions since 1970.


Artist Statement:


It’s a Tuesday morning in mid August and I’m supposed to be writing the dread Artist’s Statement. Instead, I’m out on the deck watching bees busy randomly attacking my sunflowers, flitting from one to the next and sometimes back again. They’re in a hurry, and they have no game plan other than to gather as much nectar and pollen as possible.

I can relate. All winter when the bees were asleep, I might as well have been too. I painted but the light was too dim, and I had trouble making decisions and believing in my choices. A few starts, lots of destruction and restarts.

Eventually spring arrived, then summer, bringing with them the light. Almost delirious with joy and, finally, energy, I culled most of the remaining winter paintings and returned to my studio. I started a big painting of artichoke plants, then painted over them in peonies, then roses, then abandoned the unconcluded work and started over. Though ideas grew as rapidly as my new garden plants, they often became unwieldy and obstinate.

As summer progressed and my deadline approached, I began to do the bee thing, buzzing around to seven or eight new canvases more or less at random, working on each one in turn. I felt I could now make the decisions I needed to coax the paintings in the right direction. The studio looked like a house of cards, or maybe the way an overly abundant garden must look to a bee. Where to go first and what to do next!

When the days are bright I work this way - everything at once, very intuitive, and with one painting feeding the next. Many of these paintings have long stories behind them, layers upon layers of ideas that once veered off track or onto tangents before I finally righted them. Cannibalizing a big painting with large brushes is, in fact, one of the great joys of painting.

Delphiniums continue to fascinate me, the way they bend and drape in beautiful rhythms when they are at their ripest. Excuses for layers and layers of blues and purples. And I love the way a painting of water can take off in a completely unexpected way.

Since a picture is worth a thousand words, I need to stop writing and go paint.

-Jamie Evrard, 2024

VIEW THE FULL COLLECTION

Read more

Kyle Scheurmann | Falling Stars Made of Ashes

Kyle Scheurmann | Falling Stars Made of Ashes
September 14-28, 2024
Upper Gallery
3045 Granville Street, Vancouver
Opening Reception Saturday September 14, 2-4pm
Artist in Attendance
Artist Talk & Tour Sunday September 15, 1pm


Bau-Xi Vancouver is proud to present “Falling Stars Made Of Ashes”, the highly anticipated solo exhibition by Ontario-based artist and old growth conservation activist Kyle Scheurmann. This exhibition is the artist's inaugural solo exhibition with Bau-Xi Vancouver.

This seminal collection features the artist’s finest level of detail to date, as well as his masterful ability to poetically encapsulate the increasingly threatening predicament of Canada's forests and its inhabitants. Scheurmann never shies away from portraying the forest fires which he has increasingly witnessed, sometimes even using the ashes of old growth wood shards left over from clearcut sites as a medium on the canvas. The artist himself often appears in the paintings as a miniscule human presence in the vast and wild landscape, balancing high in a burning tree or teetering on the precipice of a waterfall along with his dwarfed cottage studio, attempting to do his part in the face of a Herculean plight.


Artist Statement:

There weren’t supposed to be any fires in this new exhibition. It was the one rule I tried to make for myself when I first started painting it four months ago. This show was supposed to be a celebration of the forest, colourfully overgrown and lush. Without a long research trip immediately preceding these new paintings - paddling old-growth or scouting fresh clearcuts - my plan was to revisit the places that have stuck out the most in my dreams from all the time I did spend in the forest over the last few years.

Then I woke up on May 12th, six weeks into painting this show, and smoke filled the air around my studio in Southwestern Ontario. I could smell it before I even opened my eyes in bed that morning.

At the time of writing this, I’m watching Jasper burn. A third of their community lost with more hot weather on the way.

It was naive of me to think I could open a show in Vancouver during peak fire season without hanging paintings that reflect our wildfire reality. That research trip I missed in the spring has now been scheduled around this exhibition, 3 weeks in the bush. But I’ve been watching the news, keeping my plans flexible. The Sooke fire is growing as I type and new fires keep popping up around Kelowna every day, who knows what the conditions will be when I start driving west in a few weeks.

So, despite my initial intention, I’ve been painting fires. On the hills above our homes, on the shorelines we paddle past and over the horizons we drive towards.

Let them remind you of our interconnectedness. Let them remind you that there is hope in community. Let each one serve as an urgent request to acknowledge the state of our land and our people.

-Kyle Scheurmann, 2024

VIEW THE FULL COLLECTION

Read more

Sheila Kernan | Interplay: Memory and Connection


Sheila Kernan | Interplay: Memory and Connection

August 17-31, 2024
3045 Granville Street, Vancouver
Opening Reception Saturday August 17, 2-4pm
Artist in Attendance
Artist Talk & Tour August 17 2:15-2:30pm


Bau-Xi Vancouver proudly presents Interplay: Memory and Connection, the new solo exhibition from Calgary-based artist Sheila Kernan. In this series, Kernan continues to explore her fascination with coastal vistas in her signature multi-technique style. New landscapes depict a reverence for British Columbia’s forests, rocky shores and islands, coloured and emphasized through memory and eliciting connection with the viewer through shared experience and emotion. The immersive, textural scenes are replete with the energy of the wild landscape. 


Artist's statement:

Memory is a fluid and subjective phenomenon that is continually shaped by our experiences and emotions. Through my practice, I consistently explore this malleable nature of past recollections and how they evolve over time. I am interested in how the power of perspective can shape and sometimes change our current understanding of what once was.

I value evolution and am always searching for new ways to combine materials and to construct and deconstruct my paintings. This uncertainty of outcome is what keeps things fresh, exciting, and challenging. I seek to reconnect with a childlike sense of wonder and discovery, chasing the rush that accompanies each brushstroke and each new artistic revelation.

My paintings act as a bridge between my personal experiences and memories with nature and the collective human experience with nature. It is this moment of connection that the paintings take on a life of their own, becoming an opportunity for viewers to recall and process their own memories, emotions, and experiences. I am thankful every day for this exchange.

-Sheila Kernan, 2024


VIEW THE FULL COLLECTION

Read more

Nicole Katsuras | The Gentle Ground


Nicole Katsuras | The Gentle Ground

July 13-27, 2024
3045 Granville Street, Vancouver
Opening Reception Saturday July 13, 2-4pm

Bau-Xi Vancouver proudly presents The Gentle Ground, a new solo exhibition by Nicole Katsuras. In this new series, the artist utilizes her signature free-flowing extruded paint application to create spaces of lightness and grounding in which to contemplate the present moment. These lyrical abstractions are the artist's floating worlds, inspired by the definition of Japanese Ukiyo-e.


Artist's Statement:

“One can choose to go back toward safety or forward toward growth. Growth must be chosen again and again; fear must be overcome again and again.”
-Abraham Maslow

In this new body of work, I hope to plant new seeds and flowers for new growth, positive energy and new beginnings.

Today, life is filled with never ending to-do-lists and always being “on the go”. It is easy to forget and appreciate the present, no matter how chaotic or simple it may be. These oil paintings are like a Zen garden: places of contemplation, moving sites of reflection and moments of renewal — filled with recurring motifs of maps, floating islands and land forms. Tendrils of extruded oil paint are like pathways to interconnect and ground you to the here and now, allowing yourself to be present and mindful, even at an intersection of activity. To just gently observe and appreciate the moment and the “now” can be liberating, energizing and restorative. These paintings are as much for me as they are for the viewer — the colours and textures of creating pull us into the moment. Embracing and allowing yourself to let go in these moments, I find, is so beneficial.

I have started to experiment with some gouache on small panels - a sort of meditative, simple, repetitive exercise, tiny strokes of colour within organic line forms. I have always done small sketches to map out my compositions within small boxes and rectangles - there is a similar structure with my line work but simpler and more stylized.

– Nicole Katsuras, 2024


VIEW THE FULL COLLECTION

Read more

Cori Creed | The Story and The Telling


Cori Creed | The Story and The Telling

June 8-22, 2024
3045 Granville Street, Vancouver
Opening Reception Saturday, June 8, 2-4pm

Bau-Xi Vancouver proudly presents a new solo exhibition by established BC landscape painter Cori Creed. In her signature energetic style, the artist continues to pay tribute to the untamed beauty of the landscape of British Columbia, capturing its richness and diversity. Creed aims to encapsulate the literal and metaphorical non-linear journey of traversing both these landscapes and life. 


Artist's Statement:

This body of work, more than any, has made it evident just how looping the path can be. Retracing and pushing out in different directions, moving forward and then retreating - sometimes a jubilant exploration and sometimes a battle. My work continues to be a translation of an experience, in this case of our landscape - forests, mountains and coastlines. A balance between representation and mark making, the story and the telling. I have always considered how our own filters show us each a unique perspective of the world, but while painting this show I have also been very aware of how much outside events and forces impact and alter our own outpourings. The wind fills and empties our sails and we find a way to keep moving. With many of these pieces I found it necessary to ease off my search for more abstraction, and instead of chasing the essential forms, pick up my smaller brushes and pull details out of the washes and staining in the underpainting. Questing for the mediation found in the memories made while moving through our ancient places. 

- Cori Creed 2024

VIEW THE FULL COLLECTION

Read more

Andre Petterson | Halcyon

Andre Petterson artwork 'Reach 2' available at Bau-Xi Gallery Vancouver

Andre Petterson | Halcyon

April 20-May 4, 2024
Main Level
3045 Granville Street, Vancouver
Opening Reception: Saturday April 20, 2-4pm
Artist In Attendance

Andre Petterson turns his lens onto floral motifs for his new solo exhibition, Halcyon, proudly presented by Bau-Xi Vancouver. This series contrasts riotous, layered superblooms of flowers with the calm and focused refinement of singular blooms in architectural settings. Adding a further sense of calm, the collection includes several coastal landscapes with long pieces of driftwood to emphasize the linearity of the horizon meeting the water’s edge.

In these new works, Petterson embraces chance occurrence, letting paint organically land in unexpected places on the panel and intermingle with the photographed floral elements. The effect both disrupts and harmonizes with these elements, giving Petterson’s signature mixed media style a new sense of looseness as he creates varied and novel ways to experience florals.

Artist statement:

My new work is largely floral, still life and landscape, and is much more painterly than anything I've done in the recent past. It is an exploration and contrast of real and abstract, hard edges and softness, natural and man-made. I have been dabbling with floral and nature works throughout the decades; If I were to make floral works again, I felt I had to bring something new to the subject that I hadn't yet explored. Incorporating architectural elements added a sense of play and, to some degree, a sense of revisiting some of the early collages that I made years ago. I get to build things again.   - Andre Petterson 2024

VIEW THE FULL COLLECTION

Read more

Casey McGlynn | Ballet of the Pickup Trucks



Casey McGlynn | Ballet of the Pickup Trucks
April 6-18, 2024
Main Level
3045 Granville Street, Vancouver
Opening Reception: Saturday April 6, 2-4pm


Bau-Xi Vancouver proudly presents Ballet of the Pickup Trucks, the new solo exhibition by Ontario-based artist Casey McGlynn. As he approaches thirty years of exhibiting in galleries and museums, McGlynn returns to the horse, one of his earliest metaphors of the self. Grazing and at rest, the horses appear in herds and as individual silhouettes, their interiors filled with a cacophony of symbols and colour that bristle with a fervent, raw energy.

Artist statement:

Ballet of the pickup trucks is about becoming a northerner and searching for beauty and meaning in the north. it’s become about finding that beauty and meaning in the most unlikely of places up here

-Casey McGlynn, 2024

VIEW THE FULL COLLECTION

Read more

Anne Griffiths | The Nature Cure


Anne Griffiths | The Nature Cure

March 9 - 23, 2024
3045 Granville Street, Vancouver
Opening Reception: Saturday March 9, 2-4pm
Artist in Attendance


Bau-Xi Vancouver is proud to present The Nature Cure, the anticipated solo exhibition by BC-based artist Anne Griffiths. Griffiths' emotive abstracted landscapes, rendered in a jewel-like palette, reflect the artist's intentional focus on the act of connecting and communing with natural surroundings. The Nature Cure is a timely reminder of our inherent connection to nature and its potential role in maintaining our mental well-being in turbulent times.

 

ARTIST STATEMENT

As the world becomes an ever-more confusing web of artificial entities and falsehoods, we each struggle to find objective truths and authentic experiences. To me there is nothing more real than the simple act of immersing oneself in nature. It is something consistent that we can hang onto for sanity in this world consumed by ‘alternate facts’ and seemingly endless confrontation.

In this new body of work, I have explored my own reactions to this ‘nature time’. It seems to heal me of stress while time stands still; and there is more beauty to take in than time to absorb it. This grounding in the natural world collides with my angst for the state of our human-centric world. These paintings are the physical and artistic manifestation of that collision.      -Anne Griffiths, 2024

VIEW THE FULL COLLECTION

Read more

Joseph Plaskett | Repose

Joseph Plaskett | Repose
January 13-27, 2024 | EXTENDED through February 1
3045 Granville Street, Vancouver
Opening Reception: Saturday November 18, 2-4pm


Bau-Xi Vancouver is proud and honoured to open 2024 with Repose, a special retrospective solo exhibition from eminent Canadian artist Joseph Plaskett (1918-2014). This collection of oils, pastels and etchings features quietly captivating scenes of interiors and gardens most loved by the artist.

A native of New Westminster, BC, Plaskett studied art in Banff, San Francisco, New York, London and Paris. His time in Paris and later years in Suffolk, England (where he passed away in 2014) are the focus of this exhibition, and each work reflects his distinctive mastery of form and composition and a perpetually fresh palette. 

Since the 1940s, Plaskett has had over 65 solo and group exhibitions, with work in major public, private and corporate collections including the National Gallery of Canada. He has exhibited with Bau-Xi Gallery, both in Vancouver and Toronto, since 1973. In the spring of 2001, he was awarded The Order of Canada for excellence in the field of visual art.

Join us and explore the intimate and extraordinary world of one of Canada's greatest artists.

VIEW THE FULL COLLECTION

Read more

Holiday 2023 | New Works by Gallery Artists

HOLIDAY | New Works by Gallery Artists
December 9-23, 2023
3045 Granville Street, Vancouver
Opening Reception: Saturday December 9, 2-4pm


Bau-Xi Vancouver is pleased to present our annual holiday group exhibition, featuring beautiful new works in the spirit of the season.
The exhibition includes works by Vicky Christou, Eric Louie, Sylvia Tait, Kyle Scheurmann, Cori Creed, Anne Griffiths, Casey McGlynn and more.


VIEW THE FULL COLLECTION

Read more

Vicki Smith | Ripple Effect



Vicki Smith | Ripple Effect

November 18-30, 2023
3045 Granville Street, Vancouver
Opening Reception: Saturday November 18, 2-4pm

 

Bau-Xi Vancouver presents Ripple Effect, the highly anticipated solo exhibition from Toronto based artist Vicki Smith. Vicki Smith is a painter whose goal is peace. These evocative new images, replete with the calm energy of Smith's own meditation practice, feature the artist's incredible skill with the brush in capturing the look and movement of water. They draw in the viewer, prompting memories of times when swimming and floating enabled moments of solace amidst the cacophony of life.

Artist Statement:

Appearing from The Walrus magazine and Connor Garrel, upon express request of the artist as her favoured artist and show statement:

"All of the women in Vicki Smith's paintings are suspended, floating in water and time. They court peace in pools and lakes. postponing gravity, going nowhere fast. Sometimes you can glimpse some rocks or stretch of shore at the edge of a frame, but mostly they are alone, buoyant and unbothered. These scenes are rendered almost romantically, with impasto snarls of blue and green and ochre, and when Smith talks about them, she uses words like "serene", and "meditation", and "memory". She doesn't even think of her women as "swimmers", she says. "To me, it's more intangible than that, a limitlessness that's closer to flying."

-Connor Garrel on Vicki Smith, July/August 2023


VIEW THE FULL COLLECTION

Read more
43 results
Continue browsing
Your Order

You have no items in your selection.