Alex Cameron | David's Bonfire

Alex Cameron's David's Bonfire at Bau-Xi Gallery

Alex Cameron | David's Bonfire
February 3-17, 2018
340 Dundas St West, Toronto
Opening Reception: Saturday February 3, 2:00 - 4:00pm

 

In the latest series of paintings by Alex Cameron, the artist turns his gaze skyward. Celestial objects—super moons, constellations, and comets—blend with terrestrial phenomena like fire embers, snow, and cloud formations to create energetic landscapes in a style unique to Cameron and his over 40 year long career.  David’s Bonfire refers warmly to an evening at the Rideau Lakes, when the artist spent time with long time friend and fellow painter David Bolduc on holiday with their families. The occasion--fondly remembered--included lively painting sessions, and what Cameron refers to as a "kitchen show:" watercolours adorned the cottage walls, and were later exchanged between artists, and taken home to be cherished for years. Memory, then, becomes for Cameron a proverbial bridge, connecting and uniting land, sky, and stars.

Alex Cameron’s paintings have been collected extensively in Canada and abroad. Notable collections include the Art Gallery of Ontario, the Royal Bank of Canada, and The Queen’s Silver Jubilee Art Collection. He lives and works in Toronto. 

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Tom Burrows | The Curve of Time

Tom  Burrows | The Curve of Time
February 3-17, 2018
3045 Granville St, Vancouver
Opening Reception: Saturday, February 3, 2:00 - 4:00pm

Bau-Xi Vancouver is pleased to present The Curve of Time, an exhibition of work by renowned Canadian artist Tom Burrows. For the last 30 years, Burrows has been committed to exploring the medium of cast pigment polymer resin focusing on colour fields. The panels included in this exhibition recall and reflect the geography of a coast peopled for untold millennia in the curve of time.

The Curve of Time borrows its name from the eponymous memoir of M. W. Blanchet. Following the disappearance of her husband, Blanchet and her children lived aboard a vessel to allow for the summer rental of the family’s onshore home. Blanchet's travel log commences in 1926 and recounts the fifteen summers she spent cruising the British Columbia coast in a small gasoline powered launch with her five children.

Blanchet’s The Curve of Time served as a catalyst for Burrows, whose eight-meter boat, Caprice spurred the artist to acquire his own vessel which he fondly named Gina Marie. The artist's journey under the sail of Gina Marie culminates in a lucid picture of life afloat complex tidal waters.

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Vicky Christou | Undertone



Vicky Christou | 
Undertone
February 3-17, 2018
3045 Granville St, Vancouver
Opening Reception: Saturday, February 3, 2:00 - 4:00pm

Bau-Xi Vancouver is pleased to present Undertone, an exhibition of paintings by Vicky Christou. Christou’s inaugural exhibition at Bau-Xi Gallery showcases the artist’s exploration of acrylic paint, and an investigation of the subtle shifts in the perception of colour.

Vicky Christou pays homage to the tradition of craft and women’s domestic labour through her sculptural paintings. Since 1990, she has devoted her practice to the full expression of line and form. Christou meticulously applies lines of paint synchronized to one full meditative breath. Paint accumulates line by line, layer upon layer, each colour shrinking and expanding at different rates: a visual record of time and human consciousness.

The colour white features predominantly in Undertone, unique for its lack of hue and its ability to fully reflect and scatter all wavelengths of light. Rife with poetic metaphor, Christou’s grid acts as a veil that conceals and reveals.  The simplicity of the grid, and uniformity of the square formats are intentional choices for Christou. Its small-scale both an invitation to view the work intimately, and to recognize and contemplate the fleeting qualities of light and time: “I like duplicity and what it reveals: what we first see and know, and what light and shade reveal to us from different vantage points and at different times.  I find that transitory passage inspiring and poetic, like watching the day`s light fade into evening.” With dozens of painted marks repeated, Christou’s highly textured surfaces culminate into an artifact of making which defy traditional distinctions between painting, sculpture and craft.

 

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Gallery Artists

Group show at Bau-Xi Photo
350 Dundas St West, Toronto
February 3-17, 2018

This month, Bau-Xi Photo is pleased to present a selection of the newest work by gallery artists, featuring Cara Barer, David Burdeny, Anthony Redpath and Barbara Cole. 

Click here to view the photography collection 

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Janna Watson | Light is Heavy

Janna Watson | Light is Heavy
January 13-27, 2018
3045 Granville St, Vancouver
Opening Reception: Saturday, January 13, 2:00 - 4:00pm

Light is Heavy presents a diverse body of work from contemporary abstract painter Janna Watson—a visually poetic culmination of her practice to date. In this suite of paintings the artist explores the paradoxical weight of light and lightness through the reactive materiality of mixed media.

Evident in these latest works is the maturation of Watson's artistic process, as her panels reveal renewed confidence and technical mastery of her distinct painterly language. Watson’s works are endlessly evocative of organic forms, populated by familiar figures and rife with art historical reference— at once inviting subjective meaning whilst resisting easy interpretation and the stasis of representation.

Watson's coalescing forms are suspended mid-motion and contain within them an expressive cacophony: marbled, multi-hued brushstrokes are juxtaposed against bold, gestural streaks to maintain precarious equilibrium. Stark ink lines inscribe the pictorial plane of Watson’s panels—disturbing profusions of calligraphic strokes and contrasted with sporadic rushes of pure colour. All punctuated by decisive pastel markings and unfolding on a gradient and richly hued surface, oft delineated by the dynamic introduction of a horizon line. Each piece is a deeply nuanced and profoundly personal undertaking, composed of singular moments of paint and informed by a great depth of feeling, manifested in the application of each individual element.

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Kathryn Macnaughton | Fixed State

Kathryn Macnaughton | Fixed State
January 13-27, 2018
340 Dundas St West, Toronto
Opening Reception: Saturday January 13, 2:00-4:00 pm 

Kathryn Macnaughton’s latest exhibition Fixed State seamlessly knits together high Modernism, graphic design, vintage print media, and other aesthetic references from popular culture with both formal concision and the intimate physicality of the human form. The artist's paintings, born of a process which starts with digital mock-ups (and endless possible variations), expose the sometimes tense relationships between digital technologies and artistic authenticity.

“When I was an illustrator and graphic designer, I would hand draw and scan images from vintage magazines and assemble them on the computer. I wanted my digital work to look raw and handmade. Now that I create “physical” paintings, I want to give the illusion that the work is digital.”

But this graphic simplicity yields to more subtle, painterly moments that complicate viewing in a way that for Macnaughton is very purposeful: imperfection—the futility in attempting to achieve digital precision with paint, ink, and canvas—is another of the artist’s chosen mediums. The longer one looks, the more one sees: a drop of paint, a swatch of raw canvas, an inexact line all betray the very human process behind each composition. In this way, the digital roots of Macnaughton’s practice ironically reveal again their deeper analog histories; cut-and-paste, assemblage, collage, layers and transparencies are art historical practices that continue to inform the language of digital technologies. And the resulting paintings in Fixed State seem to be about just that: the wealth of meaning inherent in our visual languages when they are stripped down to their most essential.

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Mel Gausden | Girls Gone Wild



Mel Gausden | Girls Gone Wild
January 13-27, 2018
3045 Granville Street, Vancouver
Opening Reception: Saturday, January 13, 2:00 - 4:00pm

Canadian landscape painting has mythologized the great outdoors through the work of Tom Thomson, A.Y. Jackson and David Milne. Emerging artist Mel Gausden marks a departure from the Canadian landscape tradition—a genre historically dominated by male painters—by centralizing the experience of women in nature, and her own in Girls Gone Wild, the artist's inaugural exhibition at Bau-Xi Vancouver.

Typically overlooked in traditional landscape painting, Gausden's canvases feature women as outdoors people: active participants who build fires, climb fences, and carry their own canoes. Her female subjects, often situated or leaving evidence of their trace, discover themselves within the natural environment in which they gather, explore and commune.

The visual culture of our contemporary digital age informs Gausden's unconventional palette. Neon silhouettes and brightly hued accents take reference from pre-set Instagram camera filters, fashion and consumer trends. The artist's manipulation of oil paint varies from sculptural— bending and piling thick layers of paint into matchsticks of textured impasto—to painterly— diluting paint until it drips with controlled precision— to sketchlike with her mark-making. For Gausden, the act of painting is intuitive as much as it is intentional; an exploratory act of personal and cultural identity which fuses past and present influences to create new possibilities for representation.

 

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Gallery Artists | Focus on WINTER by Joshua Jensen-Nagle

Joshua Jensen-Nagle, Taking In St. Moritz

Gallery Artists | Focus on WINTER by Joshua Jensen-Nagle
January 13-27, 2018
350 Dundas St West, Toronto

For the month of January, Bau-Xi Photo is pleased to present a group exhibition, featuring new works from Joshua Jensen-Nagle's ongoing series, WINTER. For over a decade, the prominent Canadian photographer has been mesmerizing viewers with his impressionistic imagery. In the latest iteration of WINTER, Jensen-Nagle explores popular winter tourist destinations, such as Whistler, St. Moritz, Lake Louise and Banff.  

Jensen-Nagle bases his successful full-time art practice in Toronto. He uses his frequent travels abroad as inspiration for many of his photographic series. Having mounted over thirty exhibitions in the last eight years, he is widely recognized for his practice, and has been collected throughout North America and Europe.

Click here to view the full collection.

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GALLERY ARTISTS | HOLIDAY

Gallery Artists | Holiday
3045 Granville Street, Vancouver
December 2 -16, 2017
Opening Reception: Saturday, December 2, 2:00 - 4:00pm

Bau-Xi Vancouver presents its annual Holiday exhibition featuring new work by gallery artists in a wide variety of sizes and media. To list just a few: new floral watercolours by Jamie Evrard, paintings and oil pastel abstractions by Janna Watson, photographs by Anthony Redpath and surrealistic paintings by Michelle Nguyen.

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Darlene Cole | Kissing Trees

Darlene Cole | Kissing Trees
340 Dundas Street West, Toronto 
December 2 -16, 2017
Opening Reception: Saturday, December 2, 2:00 - 4:00pm

Kissing Trees—the latest chapter of paintings by Darlene Cole—is an expression of what the artist calls her “craving  for the wildly private”—the curious sense of intimacy and longing unique to the experience of being alone in nature, consuming it, being consumed by it, becoming it. Cole’s painted world is a spectrum of sensation: an endlessly expanding forest, a blooming rose, an open window, a fold of fabric, and a ripple in the water.  More than visitors to the scene, Cole’s figures descend deeply into their worlds, their painted forms becoming almost indistinguishable from their environments. These women are obscured but not overtaken:  each performs, with equal part curiosity and confidence, an act of total immersion.  The state of being outside is, for Cole, a turn inward: “It is the interconnectedness...perhaps almost a union...of the tangled-ness of fragility and strength that I am drawn to as I pain the flesh of the body alongside the flesh of nature.”

 Cole's work has been exhibited across North America and is collected internationally in collections in Switzerland, France, Russia, the U.K., Italy and the U.S. Notable public collections include: Fairmont Hotels (Toronto, Montreal), Manulife Financial, RBC, CIBC, OCAD University, and the K.F. Preueter Collection of Canadian Art (Etobicoke).

Join us at the opening reception Saturday, December 2nd from 2-4pm at Bau-Xi Toronto to meet the artist and view the exhibition.

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Jeffrey Milstein | LA NY

Jeffrey Milstein | LA NY

December 2-16, 2017
350 Dundas St West, Toronto
Opening Reception + Book Launch: Saturday December 2, 2:00 - 4:00 pm 

Bau-Xi Photo is pleased to present LA NY by Jeffrey Milstein. The exhibition will feature work from his newly released book, LANY: Aerial Photographs of Los Angeles and New York (Thames & Hudson, 2017). Shot from a helicopter, these stunning aerial photographs of Los Angeles and New York offer the viewer a fresh perceptive on two of the most iconic cities in America. 

Join us on December 2nd from 2:00-4:00 pm to celebrate the opening of the exhibition and book launch. 

Milstein’s photographs have been published in Men’s Vogue, TIME Magazine, European Photography, American Photo, Eyemazing, Die Zeit, Wired, PDN, Esquire and Conde Nast Portfolio.  His acclaimed series “Aircraft: The Jet as Art” was exhibited in a year-long solo show at the National Air and Space Museum at the Smithsonian in Washington, DC.

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Shaun Downey | Out of Town

 

Shaun Downey | Out of Town 
November 18-30, 2017
340 Dundas St West, Toronto 
Opening Reception: Saturday, November 18, 2:00 - 4:00pm

Out of Town presents the latest work of realist figurative painter Shaun Downey, whose captivating compositions have earned the artist international recognition. Downey’s latest paintings are documents of personal experience, but also scenes which pay homage to the collective memory of Canadian cottage country. Scenes are familiar and enigmatic—classic in their atmosphere, but with unique, contemporary cameos that inject the canvas with a characteristic intensity and magical minimalism. The loaded silence characteristic of Downey’s work continues into Out of Town: “At the cottage,” says Downey, “we allow ourselves the space and time to savour moments, to take our sweet time with every task, and give them the attention they deserve...We get to enjoy hours without speaking, letting the subtle sounds of nature swirl around us, lulling us into a peaceful state of being.”

 

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