Ian Stone's meticulously rendered still life and figurative paintings explore queer memory and camp through carefully arranged collections of ornamental and personal objects, with the body positioned as a site through which identity is formed, expressed, and remembered. Informed by traditions of 19th-century Realism and Western art history, his oil paintings and drawings are rich in detail and cultural awareness, reflecting how femininity, longing, and performance shape contemporary queer life. Paintings are unframed, while works on paper are framed under glass.
Artist's description:
A male body is partially revealed, the lower half exposed while the upper is obscured by a hanging curtain. What is visible is deliberate. What is concealed feels practiced.
In contemporary gay culture, identity is increasingly organized through labels—top, bottom, side—terms that promise clarity while flattening complexity. Masculinity becomes a form of currency, muscles a costume worn for legibility and safety. What does not conform—femininity, softness, contradiction—is often withheld, kept private even after the act of coming out. The curtain functions as both protection and control. It shields, but it also edits. What remains unseen asks where selfhood ends and performance begins, and which parts of the body are permitted to stand in for the whole.
The title Masc Bottom names a doubling: the literal exposure of the body’s underside, and the cultural logic that allows vulnerability only when it is framed as masculine enough to be acceptable. The work asks what it costs to survive through concealment—and which parts of the self are still waiting to emerge, long after the closet is said to be left behind.
- Ian Stone, 2025
