Caught between beauty and revelation
Ian Stone's meticulously rendered still life and figurative paintings explore queer memory and camp through carefully arranged collections of ornamental and personal objects, with the body positioned as a site through which identity is formed, expressed, and remembered. Informed by traditions of 19th-century Realism and Western art history, his oil paintings and drawings are rich in detail and cultural awareness, reflecting how femininity, longing, and performance shape contemporary queer life. Paintings are unframed, while works on paper are framed under glass.
Artist's description:
In this painting, the still life becomes a site of celebration rather than judgment. Butterflies move freely through the space of the painting—alive, airborne, and radiant. They do not signal punishment or warning, but pleasure: color held in motion, bodies sustained rather than consumed. Desire does not spiral toward flame here; it expands, drifts, and delights in being seen.
The composition embraces ornament as language. Pearls, flowers, colored glass, and surface excess speak to a tradition of decoration long dismissed as improper or unserious. The pearl—an intrusion slowly transformed into brilliance—becomes an emblem of queer becoming: how pressure and correction are folded into luminosity rather than obedience. Set on the table, these elements assemble a ritual of abundance.
The space recalls still life and sacred arrangement, but without hierarchy or moral instruction. Instead, it celebrates queer life as inventive, sensual, and unapologetically decorative—where beauty is not a consolation or apology, but a declaration made openly and with joy.
-Ian Stone, 2025
