Jamie Evrard: Things Residual
For her new solo exhibition What Remains, Vancouver based artist Jamie Evrard eloquently ruminates on the evolution of her approach to painting and the reason for her continual return to floral subject matter.
For her new solo exhibition What Remains, Vancouver based artist Jamie Evrard eloquently ruminates on the evolution of her approach to painting and the reason for her continual return to floral subject matter.
In our latest artist Q & A, abstract painter Celia Lees discusses the conscious act of selective seeing, the quieting effect of a muted palette, and her love of abstraction as a means of expressing her interior world.
Curatory Magazine has featured Toronto based artist Celia Lees once again in a wonderful interview in which she talks about her current practice, her upcoming Bau-Xi Vancouver exhibition and her expanding global presence.
For her new solo exhibition Refresh, Calgary based artist Sheila Kernan offers a window into how she balances realism and abstraction with a refined, multi-layered approach, capturing the essence, energy and raw emotiveness of the Canadian coastal landscape.
For his anticipated new solo exhibition Chance at Bliss, award-winning Vancouver based photographic artist Anthony Redpath offers enlightening technical details and behind-the-scenes insight on the making of his newest beach series images.
In anticipation of her new solo exhibition Peace of Mind, Toronto based artist Vicki Smith talks about the origin of her swimmers, the natural pull towards a meditative space, and her growing intention of representing the oneness of nature and ourselves in her works.
Vancouver Island based painter Anne Griffiths releases her first book, Mapping Nature, with a book-signing at her solo exhibition opening reception in Vancouver on June 6.
In this new Artist Q & A, Vancouver Island based artist Anne Griffiths discusses how her new solo exhibition Following Echoes explores the deeper impulses behind her abstracted landscapes.
In anticipation of her new solo exhibition Atlas, Toronto-based abstract painter Nicole Katsuras delves deeply into her influence from historical Japanese art aesthetics, her approach to colour and colour harmony, and the meanings behind her unique juxtapositioning of flat colour planes and highly textural extruded forms.
For her new solo exhibition Ebb and Flow, abstract artist Vicky Christou discusses her early influences of textile aesthetics, her exploration of alternative panel shapes, and the inspiration she found in expansive natural systems.
Art critic, artist and activist Karen Moe takes an in-depth look for Vigilance Magazine at the works in Kyle Scheurmann's solo exhibition We Could Have Been a Mountain.
For his new solo exhibition Life in a Northern Town, Casey McGlynn provides his own poignant descriptions of each work, distilling a deeply personal meditation on life, memory, and artistic voice beyond major art centres and drawing from everyday experience in Sault Ste. Marie and the surrounding northern Canadian area.