Jill Greenberg

For “Paintings,” Greenberg begins her process by applying a range of paint types to a glass palette, manipulating both dry and wet pigments to create dynamic surfaces of pure colour and texture. She then photographs these painted experiments under both natural and artifi­cial light sources. The process is a paring down of both media to their essential elements: mixing and blending on the artist’s palette meets the process of filtering and directing light. Once her image is captured, Greenberg discards the painting, effectively eliminating—but also complicating—notions of subject and source.

Works from this series are presented in white, contemporary frames with anti-reflective, UltraVue70 glass. 

Prices are subject to change as the editions sell out.