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| Being Plugged In |
| oil on canvas |
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17.5 x 22.25 in.
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| $1650 |
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available at Bau-Xi, Vancouver
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| Hollywood Moment |
| acrylic and spray paint on canvas and duralar |
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25.75 x 35.75 in.
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| $2800 |
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available at Bau-Xi, Vancouver
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| The Dissolution of Time & Space |
| acrylic and spray paint on canvas and duralar |
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16 x 17.75 in.
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| $1350 |
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available at Bau-Xi, Vancouver
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| Waiting Patiently |
| acrylic, mixed media on canvas and duralar |
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41.5 x 84 in.
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| $6600 |
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available at Bau-Xi, Vancouver
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| Cloud Cover |
| mixed media on mylar |
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16 x 16 in.
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| $1500 |
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available at Bau-Xi, Vancouver
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| Growths |
| mixed media on mylar |
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15.75 x 24 in.
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| $1900 |
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available at Bau-Xi, Vancouver
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| Smokring Sky |
| mixed media on mylar |
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16 x 20 in.
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| $1700 |
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available at Bau-Xi, Vancouver
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| Stocking Stalking |
| graphite on mylar |
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37.5 x 38 in.
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| $4550 |
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available at Bau-Xi, Vancouver
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| Tree Ghosts |
| mixed media on mylar |
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15.75 x 20 in.
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| $1675 |
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available at Bau-Xi, Vancouver
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| Relationship Slalom |
| oil on canvas |
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60 x 60 in.
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| Sold |
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| Canadian Torch Bearing |
| oil on canvas |
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84 x 60 in.
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| $8300 |
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available at Bau-Xi, Vancouver
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| Embracing the Cold |
| oil on canvas |
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35.25 x 17.5 in.
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| Sold |
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| Last Place Finisher |
| oil on canvas |
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66.25 x 53.5 in.
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| Sold |
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| Race to the End |
| oil on canvas |
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60.25 x 72.5 in.
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| $7600 |
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available at Bau-Xi, Vancouver
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| Race Through the North West Passage |
| oil on canvas |
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47 x 60.25 in.
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| Sold |
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| Too much of a good thing (Diptych) |
| acrylic and spray paint on canvas and duralar |
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64 x 95 in.
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| $9300 |
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available at Bau-Xi, Vancouver
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| Rain Reversal |
| oil on panel |
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12 x 12 in.
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| $900 |
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available at Bau-Xi, Vancouver
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| Remaining uplifted |
| oil on canvas |
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24 x 30 in.
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| $2200 |
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available at Bau-Xi, Vancouver
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| Technabstract 3 |
| oil on mylar |
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20.3 x 22 in.
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| $2600 |
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available at Bau-Xi, Vancouver
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Lisa Birke attended Emily Carr Institute of Art and Design where she was awarded full tuition scholarships for three consecutive years graduating with a B.A. in 1998 and a B.F.A. in 1999.
Birke paints traditional landscape and still life as a backdrop for line drawn characterizations of ordinary people stuck in tragic situations. Witty, humorous, and sometimes disturbing, she calls her work "eye candy with a hint of acid." Michael Scott, critic for the Vancouver Sun, writes "Birke paint(s) with all the trilling unself-conscious gusto of nightingales singing." Gary Michael Dault, critic for the Globe and Mail has written that her paintings "possess a crackling visual inventiveness supported by an almost disconcerting virtuosity with the brush."
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