Mould Store, Spode, from Breaking the Mould - 44x44 in. - $6,700
Dan Dubowitz is an internationally recognized contemporary photographer and visual artist whose work explores the intersection of architecture, memory, and urban transformation. Trained in architecture at University of Sheffield, Dubowitz brings a unique spatial awareness to his photographic practice, capturing the hidden narratives embedded within post-industrial landscapes and overlooked environments.
Before fully dedicating himself to photography, Dubowitz worked with renowned architect Peter Eisenman in New York, an experience that continues to inform his conceptual approach. His work blends documentary photography with conceptual art, resulting in striking, thought-provoking images that resonate with collectors of contemporary photography, urban art, and architectural imagery.
Dubowitz is the author of several critically acclaimed books, including Wastelands, Fascismo Abbandonato, and The Peeps. These publications highlight his ongoing investigation into abandoned spaces, cultural decay, and the poetic beauty of neglected sites - key themes that define his artistic signature.
From 1996 to 2002, Dubowitz co-directed the influential Heisenberg Project in Glasgow, contributing to experimental approaches in art and architecture. In 2003, he founded Civic Works, focusing on photography-led “cultural masterplanning.” Through this initiative, he has shaped urban regeneration strategies across cities such as Glasgow, Manchester, Newcastle, and Stoke-on-Trent, further reinforcing his role at the forefront of art-driven urban discourse.
Dubowitz’s work has been widely featured in leading international publications, including The New York Times, The Guardian, Frieze, ArtReview, and National Post. His photographs are sought after by collectors for their intellectual depth, cinematic quality, and relevance to contemporary conversations around place, identity, and the built environment.
Dubowitz's fine art photographs of richly detailed architectural imagery are printed at his UK studio and mounted to archival substrates. Work is typically presented behind glass with a 2 inch white border, and in dark walnut frames. Custom framing is available, contact a gallery associate to learn more.