Anthony Redpath

Unit 293 is set in Ucluelet, BC in 1985. Ex-Army, Navy and Airforce service members and their partners are having a good time blowing off steam on a Friday night at the local Army, Navy & Airforce Veterans Club Hall. The music the band is playing could quite likely be AC/DC. The aim of this figurative work is to challenge the stigma of aging and dispel the myth that seniors can’t have a lot of fun. -Anthony Redpath

Redpath's detailed photographs are comprised of multiple, high resolution images in a single composition that emphasize industrial colour, texture, and scale. Works are mounted to an archival aluminum substrate and are framed either in a floating frame without glass or in a contemporary shadow box frame behind plexiglass.

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Anthony Redpath is a Vancouver‑based photographer who transforms everyday environments into richly textured, visually compelling studies of colour, form, and social experience. Working primarily in high‑resolution chromogenic and archival inkjet prints, Redpath distills scenes of urban and industrial life into compositions that reveal both micro‑detail and broad visual narratives.

Redpath’s practice emerges from an astute engagement with photographic history and contemporary visual culture. Long exposures and precise composition allow his subjects – weathered façades, coastal industrial sites, architectural fragments, and urban spaces – to unfold as arenas of texture and colour.

Redpath’s photographs emphasize perception and interpretation. His compositions invite viewers to consider how scale, detail, and juxtaposition shape experience and memory. Through this approach, themes of time, transition, and the vestiges of human presence emerge subtly within industrial and built‑environment imagery.