Toronto-based abstract artist Janna Watson provides us with insight into the concept, palette and process behind her stunning new upcoming show Skywriting, opening on February 4 in Vancouver.
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In anticipation of Canadian landscape artist Gavin Lynch's new solo show Mondegreens, we speak with the artist about his inspiration, his process, and the significance of the landscape genre in our challenging current time.
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Tom Burrows' artwork has been featured as an integral element of Gillian Segal's directional, yet timeless, recent project, cited in Canadian House & Home Magazine.
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In a recent interview for the Creators Vancouver platform, Steven Nederveen talks about his new show at Bau-Xi Vancouver: The Ocean in Us. Read about where his inspiration comes from, the highlights of the artist's career and his future endeavours.
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Toronto artist Steven Nederveen visualized his process to give an insight into how his vivid landscapes come to be. Born to love the land and the oceans, he has an intricate making process that underlines the personal relationship with the landscapes he creates.
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To accompany her new solo exhibition, Michelle Nguyen offers a full artist statement essay below, in which she identifies and discusses six concepts which contributed to the Victorian aesthetic of horror vacui (Latin for fear of empty space): a direct social reckoning and acknowledgment of death and the unknown of the afterlife.
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BC artist Sheri Bakes reflects on her latest collection The Company of Stars, inspired by her dear friend’s six-month solo thru-hike of the Pacific Crest Trail and the photos she took along her journey.
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Composed of many leaf-like metallic looking foils, Eric Louie’s works have a digital aesthetic despite being an analogue medium. They possess a chameleonic ability to exist comfortably among a multitude of aesthetics, from 1920s Art Deco and Mid-Century Modern into the forefront of contemporary design. He explores his ideas for the compositions through the program Procreate on the iPad, drawing on images of half-finished paintings and finding the next move. “Sometimes the choice is instantaneous”, explains Louie, “but often the search meanders down various rabbit holes of potential”.
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Vancouver artist Jamie Evrard goes in-depth on two works from her new exhibition From Coast to Garden: Shannon Falls March (58 x 36 inches, left) and Midsummer Shades of Blue and Green (56 x 56 inches, right).
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Over 200 paintings from a decade's worth of new series are reproduced in this tenth book of Bonifacho's artistic career.
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Sheila Kernan has been interviewed by Banff-based Erin Evans on the Erin Evans Podcast, in which she talks about the genesis of her pull towards art, her studio practice, and the inspiration behind her work.
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